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Posted on September 30, by Scott Alexander [Content warning: Try to keep this off Reddit and other similar sorts of things. All the townspeople want to forgive him immediately, and they mock the titular priest for only being willing to give a measured forgiveness conditional on penance and self-reflection.
They lecture the priest on the virtues of charity and compassion. Later, it comes out that the beloved nobleman did not in fact kill his good-for-nothing brother.
The good-for-nothing brother killed the beloved nobleman and stole his identity. Now the townspeople want to see him lynched or burned alive, and it is only the priest who — consistently — offers a measured forgiveness conditional on penance and self-reflection.
The priest tells them: You forgive a conventional duel just as you forgive a conventional divorce. He further notes that this is why the townspeople can self-righteously consider themselves more compassionate and forgiving than he is.
Actual forgiveness, the kind the priest needs to cultivate to forgive evildoers, is really really hard. The fake forgiveness the townspeople use to forgive the people they like is really easy, so they get to boast not only of their forgiving nature, but of how much nicer they are than those mean old priests who find forgiveness difficult and want penance along with it.
Whether or not forgiveness is right is a complicated topic I do not want to get in here. You can forgive theft, or murder, or tax evasion, or something you find abhorrent. You can have all the Utility Points you want.
The Emperor summons before him Bodhidharma and asks: How many Virtue Points have I earned for my meritorious deeds?
The Emperor, somewhat put out, demands to know why. Of course I have nothing against gay people! And today we have an almost unprecedented situation. We have a lot of people — like the Emperor — boasting of being able to tolerate everyone from every outgroup they can imagine, loving the outgroup, writing long paeans to how great the outgroup is, staying up at night fretting that somebody else might not like the outgroup enough.
This is really surprising. No one did any genetic engineering. No one passed out weird glowing pills in the public schools.
And yet suddenly we get an entire group of people who conspicuously promote and defend their outgroups, the outer the better. What is going on here? But if the Emperor has curly hair, are straight-haired people part of his outgroup?
I want to avoid a very easy trap, which is saying that outgroups are about how different you are, or how hostile you are.
Compare the Nazis to the German Jews and to the Japanese. The Nazis were very similar to the German Jews: The Nazis were totally different from the Japanese: But the Nazis and Japanese mostly got along pretty well.
Heck, the Nazis were actually moderately positively disposed to the Chinese, even when they were technically at war. Nazis and German Jews. South African whites and South African blacks. Israeli Jews and Israeli Arabs. Anyone in the former Yugoslavia and anyone else in the former Yugoslavia.
So what makes an outgroup? Proximity plus small differences. What makes an unexpected in-group? The answer with Germans and Japanese is obvious — a strategic alliance.Failure of the American Dream in Arthur Miller's Death of a Salesman In Death of a Salesman, Arthur Miller "forces the reader to deal with the failure of the American Dream"(Field ) and the effect it had on the Loman family, how it ruins the life of Willy, and destroys Biff’s life as well.
“A Quiet Place” is John Krasinski’s breakthrough as a triple-threat entertainer, but it’s been a long time coming. Breaking Cincinnati news, traffic, weather and local headlines from The Cincinnati Enquirer newspaper.
American Son. Critic’s Pick; Broadway; As a black mother with a son in danger, Ms. Washington is up against a situation she may not be able to fix. ACT ONE A melody is heard, played upon a flute.
It is small and fine, tell-ing of grass and trees and the horizon. The curtain rises. Before us is the Salesman’s house.
Essay Death Of A Salesman Vs. Hamlet Willy Loman and Hamlet, two characters so alike, though different. Both are perfect examples of tragedy in literature, though for separate reasons and by distinct methods.
The definition of a tragedy, in a nutshell, states that for a character to be considered tragic, he/she must be of high moral estate, fall to a level of catastrophe, induce sympathy and.